Scenography, which is described in this book as an interdisciplinary application of the form of performance spaces, can no longer be a matter of one genre or author. Rather, it is a mutable expression of theatrical space concerning the relationships between theatre, exhibition space, installation, media and architecture that allows scenography to appropriately articulate open possibilities. The original visual essays and theoretical positions in Expanding Scenography: On the Authoring of Space present and map contemporary scenographic practice as an expanded sphere of being. They set out to make performance provide a unique and insistently critical voice emanating from our society.